Release date: January 1944.
Starring: Mel Blanc (Snafu),
Robert C. Bruce (Narrator).
Music: Carl W. Stalling.
Sound: Treg Brown (uncredited).
Synopsis: Private Snafu claims he's smart enough to spot
booby traps but soon finds himself inside a chamber
that consists of them.
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Snafu's careless regard of duty is wonderfully emphasised by his carefree skip jump. To begin with, Snafu is almost deceived by a camel with a contact mine for an udder. Although Snafu realised the danger before it was too late; it serves as a foreshadow for what lies in store for him. Soon afterwards, he discovers a desert bordello, featuring multiple attractive beauties. Driven by sexual desire, Snafu lures himself inside the chambers - blinded by the potential consequences.
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Animation by Rod Scribner. |
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Snafu is seated next to a barely-clad woman - increasing his arousal. He attempts to hit her on, "Hiya, toots! What cooks!". Snafu anticipates an action of slapping her rear end, but his hand gets a bad reaction from the impact - met by Rod Scribner's funny expressions, as seen in the screen grab.
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The girl's brasserie drops - also reveals her breasts to be explosive bombs! Snafu stutters with astonishment, utilised by Mel Blanc's hilarious delivery, "B-b-b-booby trap", and screams! The sequence remains hilarious as it's built entirely on visual gags, to enhance the alluring qualities of a booby trap. It still remains a fascinating insight of the liberties Clampett took, without the interference of the Production Code.
The cartoons also features one of the most recycled gags in the Warner Bros. cartoon library - Endearing Young Charms. The 1808 song, written by Irish poet Thomas Moore, has been immortalised by the WB shorts. Snafu encounters a piano, with a music sheet for the song. He attempts to play the first few notes - but hits the wrong key, which happens to be connected to a bomb device!
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After hitting the wrong note several times, Snafu quickly gives up: "Ahh, the hell with it! I never could get that last note anywho!" - and moving on to the next booby trap.
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The gag continues its purpose later in the cartoon, when a Hitler-esque mechanical figure chimes the correct notes of the song inside Snafu's ear. And so, Snafu rushes inside the harem; to play the correct notes - only to end with his demise! Snafu's vulnerability towards booby traps is further exaggerated in the final gag. Even in heaven, Snafu's harp is a booby trap!
Although Clampett only wound up directing two Snafu cartoons - Booby Traps showcases some of his most risque humour that serves as his pride in his work. By putting the "booby" in booby trap; some of Clampett's more juvenile tastes adds up to a charming cartoon - supported by hysterical character animation and pacing. The use of Snafu's sexual desires to multiply his danger - works wonderfully in comedic values! At the same time, the message still serves its purpose. Each soldier must be very cautious whilst patrolling the enemy's barracks - no matter how sexually frustrated or one soldier can be.