Release date: January 1944.
Starring: Mel Blanc (Snafu),
Robert C. Bruce (Narrator).
Music: Carl W. Stalling.
Sound: Treg Brown (uncredited).
Synopsis: Private Snafu claims he's smart enough to spot
booby traps but soon finds himself inside a chamber
that consists of them.
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Snafu's careless regard of duty is wonderfully emphasised by his carefree skip jump. To begin with, Snafu is almost deceived by a camel with a contact mine for an udder. Although Snafu realised the danger before it was too late; it serves as a foreshadow for what lies in store for him. Soon afterwards, he discovers a desert bordello, featuring multiple attractive beauties. Driven by sexual desire, Snafu lures himself inside the chambers - blinded by the potential consequences.
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Animation by Rod Scribner. |
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Snafu is seated next to a barely-clad woman - increasing his arousal. He attempts to hit her on, "Hiya, toots! What cooks!". Snafu anticipates an action of slapping her rear end, but his hand gets a bad reaction from the impact - met by Rod Scribner's funny expressions, as seen in the screen grab.
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The girl's brasserie drops - also reveals her breasts to be explosive bombs! Snafu stutters with astonishment, utilised by Mel Blanc's hilarious delivery, "B-b-b-booby trap", and screams! The sequence remains hilarious as it's built entirely on visual gags, to enhance the alluring qualities of a booby trap. It still remains a fascinating insight of the liberties Clampett took, without the interference of the Production Code.
The cartoons also features one of the most recycled gags in the Warner Bros. cartoon library - Endearing Young Charms. The 1808 song, written by Irish poet Thomas Moore, has been immortalised by the WB shorts. Snafu encounters a piano, with a music sheet for the song. He attempts to play the first few notes - but hits the wrong key, which happens to be connected to a bomb device!
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After hitting the wrong note several times, Snafu quickly gives up: "Ahh, the hell with it! I never could get that last note anywho!" - and moving on to the next booby trap.
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The gag continues its purpose later in the cartoon, when a Hitler-esque mechanical figure chimes the correct notes of the song inside Snafu's ear. And so, Snafu rushes inside the harem; to play the correct notes - only to end with his demise! Snafu's vulnerability towards booby traps is further exaggerated in the final gag. Even in heaven, Snafu's harp is a booby trap!
Although Clampett only wound up directing two Snafu cartoons - Booby Traps showcases some of his most risque humour that serves as his pride in his work. By putting the "booby" in booby trap; some of Clampett's more juvenile tastes adds up to a charming cartoon - supported by hysterical character animation and pacing. The use of Snafu's sexual desires to multiply his danger - works wonderfully in comedic values! At the same time, the message still serves its purpose. Each soldier must be very cautious whilst patrolling the enemy's barracks - no matter how sexually frustrated or one soldier can be.
I miss the ribald humour of the Warner Brother's war cartoons.It's an unfortunate result of our age that we won't see the like again,and the crude,crass humour that is now popular in such venues as Adult Swim is deplorable.
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