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Release date: March 25, 1939.
Series: Merrie Melodies.
Supervision: Chuck Jones.
Producer: Leon Schlesinger.
Starring: Mel Blanc (proto-Bugs / Clock / Voice effects for dogs).
Story: Rich Hogan.
Animation: Ken Harris.
Musical Direction: Carl W. Stalling.
Sound: Treg Brown.
Synopsis: One night during a bad storm - the Two Curious dogs enter a house where they find a magician's rabbit who plays tricks on the dogs.
This is the second cartoon where it features the prototype Bugs Bunny before he made his own first official appearance in A Wild Hare. In a way - both Chuck Jones and Ben Hardaway pioneered the rabbit before Tex Avery created him. Chuck Jones uses the Hardaway rabbit from Porky's Hare Hunt - as its been considered that the cartoon was a success and they wanted more rabbit cartoons. So, Chuck Jones directed one cartoon - and then Hardaway-Dalton went with the same screwball rabbit but with a different design by Charlie Thorson. Chuck uses his first set of characters: the Two Curious dogs again for this cartoon as well as the proto Bugs.
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The cuckoo clock then reveals a mysterious figure and looks around. Then reveals the time is 12 o'clock at midnight. And appears to laugh rather mysteriously. Even if the cloak figure was probably reference - that part with the cuckoo clock was just...nuts.
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Let me remind you -- he uses it over and over again. The rabbit then spins it, and then flicks it with his finger and continues spinning it. Afterwards he then grabs it between both hands and it then disappears as he pushes it. The dog is stumped by the trick and even looks through the rabbit to try and find it. The rabbit then uses his own fingers to release the vase and it drops on the dog and he laughs heartily - that same Hardaway laugh from 'Hare Hunt'. Now that gag there was just stupid - yeah, magic I guess - but how did he somehow end up with superpowers on his fingers? Notice the screenshot - even if it is a slow-paced cartoon but at least Chuck has a go with a wild take that even Tex didn't pull off until his MGM years. Anyway, the dog gets angry and looks through the jacket where the rabbit is. The dog ends up yelping as there is a crab that has snapped at the dog's nose.
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The dog then looks at the hope as it gives the gesture before the rope's hand then socks the dog to the ground. After feeling rather weary, the dog then sits there where the eyes appear to wobble which is certainly exaggerated for a early Chuck Jones picture but it certainly captures the mood of after being hit. The dog then gets back up and growls at the rope before walking out of the scene. A scene with hardly any gags other communication with magic - the rope is definitely rather cleverly animated. Anyway - the music cue for that sequence is Red Coffee during that sequence - because in the rabbit scenes it would just play The Umbrella Man.
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The puppy then growls and starts to attack the magic stick and the rope just swings the dog around. The dog just ends up hiccuping and the birds just fly out of his mouth. Mmm, that magic stick sure is full of wits and it sure is a cute sequence. The dog even hiccups an egg out of his mouth by accident and he blushes and continues to hiccup. The sequence lasts longer than a minute which is more than a 100 feet of screen footage that is seen. For the animator (most likely Ken Harris) that's three weeks work of animation there.
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The rabbit just hops out rather happily and in a screwy way. The rabbit then just hops over to the door as he closes it in this bad use of slow pacing. After the door closes - the door walks over to try and open it. It turns out that the 'door' has a chest of draws and then he slaps the dog out of the way. He even tickles the dog where the big dog ends up laughing historically for a while. The rabbit continues acting screwy by trucking him more by calling him over - and his head bumps from lifting the head up. The rabbit then laughs heartily afterwards.
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The dog continues to bang the door rather loudly but the rabbit just walks out. The rabbit and the dog then collide to each other and they end up crashing the door open. That really lacks a lot of weight and even a lack of force with the animation. The rabbit is now caught in a piece of rope and the dog then walks over to pick him up and he places him inside a box and closes it. He carries the box to place it in a treasure chest, and then carries the treasure chest inside a locker box. After that use of weight of carrying - the dog finally rests.
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The dog covers himself so he doesn't see the crash and looks over completely satisfied with what has happened. That is certainly rather sadistic and mean by punching the rabbit - but at least for the dog it satisfied him, but then again it would have been much funnier if the victim still lost and not win. Well, not in Chuck's case. We pan through and find that the rabbit had suffered from a black eye, caught in a fishbowl and has a lampshade caught in his ears.
Overall comments: My overall impression of this cartoon is that its just completely nuts. The gags are all just all over the place as well as the pacing of the cartoon - where it does from the big dog to the rabbit, and then antics with the small dogs. The fact that this is magic being the small dog's enemy in the cartoon is all crazy as it just feels like we have entered a fantasy when watching it. Chuck Jones' version of the screwball rabbit is certainly a much more tamed version and Chuck sees him in a different view. Hardaway's view on the rabbit shows a lot of resemblance of Daffy Duck - basically in a rabbit's costume. Chuck's version here shows the rabbit is merely just a pest and also a muted character (except for the laughs) whereas Chuck wanted to express those early stories without dialogue. But still, I prefer Hardaway's rabbit - even if it is more annoying. The laugh and design in his cartoon is there but other than that, there is no other resemblance other than a cutesy Jones character.
Chuck has already given his dogs a 2nd appearance in his forth cartoon he has directed, and of course he would use those characters much less afterwards - appearing in about one cartoon a year before abandoning them in 1942 - I guess he wanted to concentrate on making Sniffles a star. With much of the lackluster of the cartoon brings, I have to at least mention about Carl Stalling's contributions towards this cartoon. I have no disrespect towards Stalling, as he is certainly one of the leading and most influential film composers of all time - but what was HE thinking when composing this cartoon! He overuses the song The Umbrella Man in all the scenes of the dog and the rabbit -- way too much! It's the dominant music cue of the cartoon for sure. Not to mention, Stalling had used cues to dominate the music of cartoons (like using Powerhouse in Baby Bottleneck) but here - The Umbrella Man is just an earworm to listen to that its just sufferance to hear. The cartoon overall just follows through a Disney-esque story routine where it is sequence after sequence of dogs going through trouble.
The cuckoo bird is imitating The Shadow.
ReplyDeleteWere it not for Mel's 'Woody' laugh coming from the rabbit, he'd be generic enough not to even be part of Bugs' genealogical tree (and he would basically go over the same grounds a year later in "Stage Fright", replacing the rabbit with a bird who borrows some of the magic and Stalling's "Fingal's Cave" from Chuck's own Minah Bird creation, while adding in a touch of aggressiveness he'd later transfer over to Henery Hawk).
ReplyDeleteAlso, Jones' early leisurely pacing just kills the final gag's effectiveness, since the rabbit's compressed hands just hold there in mid-air for almost two seconds, just waiting for the dog to s-l-o-w-l-y build his anger and only then reach over and pull them apart (why don't the hands disappear faster, like they did earlier in the cartoon? Because Chuck wanted to get a little bit more personality animation out of the dog). Even if he had done this cartoon just two years later, the building anger would have been condensed and the movement to grab the hands before they disappeared quickened to make the (literal) impact of the final gag work far better.
And not only is "Umbrella Man" used throughout this one, but the dog's earlier [and first], "Dog Gone Modern" had similiarly "At Your Service Madame" playout over and over. Steve C.
ReplyDeleteThe balloons and the dog hiccuping them - that was my favorite gag. The proto-Bugs in this cartoon is silent but then again he doesn't need to say anything here to be funny.
ReplyDelete