Warner cartoon no. 229.
Release date: January 28, 1939.
Series: Looney Tunes.
Supervision: Ben Hardaway and Cal Dalton.
Producer: Leon Schlesinger.
Starring: Mel Blanc (Porky Pig / Dizzy Duck).
Story: Melvin Millar.
Animation: Herman Cohen.
Musical Direction: Carl W. Stalling.
Sound: Treg Brown (uncredited).
Synopsis: Porky and his pal Dizzy Duck go fishing. While it rains, they enter a abandoned building which they believe is haunted.
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Porky and Dizzy then sit at the edge of the harbour as Porky has his fishing rod out. He warns for Dizzy to remain ever so quiet. Mmm, if there is another duck friend then why couldn't the directors have used Daffy since he has already been established by around this time. Porky then asks for Dizzy to be quiet whenever asking for fish.
Oh god, it turns out that the cartoon couldn't get any worse or annoying as Hardaway has already included an annoying duck who appears to constantly talk at 24/7 asking an abundance of questions - and somehow that is funny? Tex Avery; you've made a big mistake for creating a character like that in I Wanna Be a Sailor. Porky is already irritated and asks for Dizzy to hush. Wait a minute; even if characters like Porky who would find it annoying then why add it for a gag - its just going to make it annoying for the audience. It gets even worse when Dizzy acts incredibly annoying by shouting, "Bet, you can't do this" and ends up playing the trumpet with his beak and irritates him.
The dog walks in at the scene carrying the used trout and then the pong starts to spread towards Dizzy and Porky. Porky turns his head around to find where the scent is going from and discovers it is coming from the dog. After spotting its the dog he wakes up, "Didn't I tell ya to go home, get outta here, skit!" and the dog leaves.
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He then gets up, "Come on - there's a terrible storm coming!" Dizzy Duck then responds back, and appears to be quoting almost the exact same lines that we have heard from I Wanna Be a Sailor - and here is Hardaway's contributions for you. Porky drags Dizzy's hands and they rush out of the harbour - and the weird part is that it appears to be quite a run for them; and the abandoned building was standing JUST a few feet near them?
They arrive into that abandoned building and then Porky asks for anyone's identifications in the place, "Hello is anybody there?". A mysterious voice (provided by Danny Webb) responds: "No there ain't nobody bluh-bluh-blee-bluh there!" as he is just mocking Porky's accent. Now that is definitely amusing - and I'll give them credit there.
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Porky and Dizzy then enter through the door rather quietly to check if they are alone in the house. Porky then steps on a cloak and somehow the cloak stands up - giving Porky a fright and dashes out of the scene. The Porky 'take' was cool, and that candle effect - but that scene makes NO sense. You can't just have a cloak standing up after just stepping on it as it just. doesn't. work. that. way!
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Porky struggles to break out as he is being dragged along. The gag isn't very funny; as it feels its presented rather serious but the animation certainly has some weight in it. So; as Dizzy continues to unwind - a part of Porky's suit then gets torn and the hook flies out - but the timing of it flying out is incredibly slow. As the hook files back, the hook then starts to end up being caught by a bear rug and it ends up being dragged along through a wheelie chair. As Dizzy unwinds; he scrams and then the bear rug approaches and from his viewpoint it looks like a bear. That certainly is pretty clever there - but that bear looks, perhaps a bit too real.
Dizzy then bangs on the door to let him in, until it opens and he walks in. Just as Dizzy attempts to explain what he saw to Porky - he acts it out through demonstrations and then the door opens - why when nobody opened the door?! Just after the door opened the bear rug enters. How is that possible?? What the hell is it - some inanimate door?! Hhgfdfghrwfssrqewyyu!?! Okay, maybe I'm a bit too far there.
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As Porky is about to dash out - he then makes a take as he almost falls in as he reaches the end of the mysterious building. The bear rug approaches and falls. There is no explanation as to how the bear rug in the wheelie chair even escaped!!! Porky is already hanging onto a pole as he has nearly fallen over.
Meanwhile the dog who appears to be some of the cause of this cartoon is then following a turtle, and yet somehow it is never explained how the turtle even came into the room. The turtle notices the dog following him and ends up biting the dog on the nose and stretches his body out of the way like a slingshot.
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The dog ends up trapped in chains and runs out of the scene. Dizzy arrives at the spot looking around and then spots the dog escaping and from that image - its a rather scary appearance. He jumps out of his spirit into a barrel, and then grabs his spirit into the barrel. That is certainly funny, I would have to admit and probably the only funny part of that cartoon. In fact, as the dog jumps into that barrel and we have a whole sequence of just Dizzy and the dog staring at each other is probably the only funny scene of the whole cartoon as the comic timing is very funny and Stalling's music cliches to go along with it. They both end up in the same barrel as they have a scared and wild take before the barrel breaks and they scram.
Dizzy then flies out of the scene in which he ends up having his own shirt caught in an umbrella. As he is about to leave - Dizzy is about to lave and then the storm flies straight into the seen with the 'Storm sequence' of William Tell heard. Afterwards he ends up flying out the window.
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Dizzy Duck hears the sounds for help as he runs down the stairs and notices the rope. He grabs the rope and starts to pull rather firmly so he can rescue Porky. As Dizzy manages to save him so far by holding onto the rope - he walks past and accidentally slips on margin oil. The oil makes it slippery and he then lets go of the rope losing his balance and Porky falls back down and the door is closed.
Dizzy pulls the rope back up hoping he has managed to save Porky but discovers that he is not holding onto the rope. Instead, he finds Porky is standing right at the corner, and Dizzy opens the door in a naive way before he realises he is found. More noises is heard but Porky grabs Dizzy's hand as they make an escape.
It turns out to be the dog with the underwater helmet still on his head and the chains are stuck at the banister of the stairs. I don't see how this is amusing. The dog has a helmet and chains caught around him. Geez, that dog could suffocate or get strangled by the chains.
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He approaches the turtle and decides to make his comeback towards him. He runs back and finds the turtle stuck inside his shell. He knocks on the turtle's shell as the turtle's head pokes out to find an answer. The dog then punches the turtle, and what is the point in going back in there for more trouble? He blows out the candle as the cartoon ends.
Overall comments: I really despise the cartoon - one of the worst Porky cartoons yet. The gags of this cartoon are really unfunny, and most of them aren't even that clever. The cartoon's story is just rather stupid to feature a mysterious building in a middle of a harbour where it would have worked better if hit were set in an abandoned house that wouldn't necessarily be haunted. The whole cartoon really focuses on a lot of gags where they are supposed to lead up to the characters believing in haunted conspiracies; but most of those gags aren't even explained too well - I mean; how the hell did that turtle just walk past with a candle attached to his shell when it was never explained. The gags lack a lot of that. Also, it certainly doesn't help when Hardaway always steals the idea of using that really annoying duck character who constantly never stops talking and asking loads of questions which aren't even funny, as the character is just obnoxious. Also, it's even more unfortunate that even Clampett in his weak era would use that character later on this year.
With that aside, I have already mentioned that I find the only highlight of the cartoon to be that brief barrel sequence where they just pop out of each other's heads before they appear in the same barrel - the only scene where I think Dalton (or Hardaway) have got their comic timing right. I think as these two directors; they weren't very capable of even making funny Porky characters, as he was just the straight man of the period. I still wonder why those two had to pair; was it because they were both very incapable that they both had to pair up in order to try and turn out better results for the cartoons? I guess it would aim for Dalton as Hardaway had already directed cartoons alone. Also, it even appears that in 1939 that there were quite a lot of Porky cartoons with titles that bear his name that have 'starring Porky' as well as many cartoons with Porky that have single titles. I suppose his popularity must have been rising that they wanted the audience to know that Porky was definitely going to be in the cartoon perhaps.
The title is lame. That's all that I've got to ay (oh: and it's a pier with tackle shop that this takes place on..)
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